Fifth Generation /film directors

Fifth Generation /film directors
The ‘Fifth Generation’ is a group of directors whose films represent a particularly creative moment in the history of Chinese cinema, roughly spanning the 1980s and early 1990s. Educated after the Cultural Revolution, the ‘Fifth Generation’ includes such directors as Chen Kaige, Huang Jianxin, Tian Zhuangzhuang, Wu Ziniu and Zhang Yimou. According to George Semsel, the five generations correspond to historical periods: silent films; first sound films during the 1920s and 1930s; films from 1949 through the Cultural Revolution; films after the Cultural Revolution; and the fifth generation, films made by graduates of the Beijing Film Academy in the 1980s and 1990s. Another way of defining the different generations focuses on the filmmakers’ aims: the first generation, described as May Fourth era filmmakers, were intellectuals concerned with social and cultural reform during the Republican era; the second generation, whose films are categorized as Socialist Realism (inspired by the Soviet Union), combined heroic celebration of the socialist state with condemnation of life in pre-revolutionary China; the third and fourth generations primarily focused on melodrama and produced films consistent with or reinforcing state ideology; and the fifth generation, whose films were made after the Cultural Revolution, continued the May Fourth tradition of social commentary and national critique, albeit from the vantage point of a very different historical moment.
‘Fifth Generation’ Chinese cinema has won international acclaim for films characterized by realism, powerful social commentary, spectacular visual imagery and high production values. These films reflect on Chinese history and engage in cultural critique. Remarkably, the ‘Fifth Generation’ films were funded by the state and passed by the state’s film censors. By setting their films in the past or including dialogue explicitly endorsing the Communist Party, many of these films avoided political controversy. In Chen Kaige’s Yellow Earth (Huang tudi), the dialogue and visual narrative present contradictory accounts, one praising the Communist Party, the other illustrating how the Party ultimately failed to ameliorate the lives of its converts, and stranded them in a society it was incapable of transforming. In The Blue Kite (Lan fengzheng), which has been banned in China, Tian Zhuangzhuang recounts life from the perspective of a child whose family is torn apart by continuously devastating political campaigns. Perhaps most daring, The Black Cannon Incident (Heipao shijian) by Huang Jianxin, the only filmmaker to set his films in the present and the future, satirizes bureaucracy, alienation and hopelessness in China of the 1980s and after.
The reputation of these filmmakers has not fared as well in China as it has internationally. Some Chinese critics have accused them of pandering to a Western appetite for exoticism. Their films have had limited distribution in China, and since the violent suppression at Tiananmen Square in 1989, many critics consider this critical genre to be over. In spite of this, the ‘Fifth Generation’ directors continue to make films that occasionally provide a flicker of the depth achieved earlier.
Browne, N., Pickowicz, P., Sobchack, V. and Yau, E. (eds) (1994). New Chinese Cinemas. Cambridge: Cambridge University Press.
Chow, Rey (1995). Primitive Passions. New York: Columbia University Press.
Huot, Claire (2000). ‘Colorful Folk of the Landscape: Fifth Generation Filmmakers and Roots Searchers’. In idem, China’s New Cultural Scene: A Handbook of Changes. Durham: Duke University, 91–125.
Ni, Zhen (2002). Memoirs from the Beijing Film Academy: The Genesis of China’s Fifth Generation. Durham: Duke University Press.
Zhu, Ying (2003). Chinese Cinema During the Era of Reform: The Ingenuity of the System. New York: Praeger.
EMILY CHAO

Encyclopedia of contemporary Chinese culture. . 2011.

Игры ⚽ Нужен реферат?

Look at other dictionaries:

  • Sixth Generation (film directors) — The Sixth Generation of directors denotes the group of mostly independent filmmakers who began directing after 1989. They are sometimes also called the ‘urban generation’ because of their focus on city culture. Generally acknowledged as the… …   Encyclopedia of Contemporary Chinese Culture

  • Xi’an Film Studio — One of the major film studios in China, Xi’an Film Studio was established on 23 August 1958. During its first decade, the studio produced nineteen films, including Peach Blossom Fan (Taohua shan, 1963). The film featured the talented actress Wang …   Encyclopedia of Contemporary Chinese Culture

  • Beijing Children’s Film Studio — (Zhongguo ertong zhipianchang) The Beijing Children’s Film Studio was the brain child of Yu Lan (b. 1921), a famous film actress of the 1950s and 1960s. Her acting pedigree includes Lin Family Shop (Lin jia puzi, 1959), Revolutionary Family… …   Encyclopedia of Contemporary Chinese Culture

  • Film Noir —    If we accept David Thomson s veredicto that noir is something that happened to American cinema in the 1940s, it is easy to understand why the style could not catch on in Spain at the time. Noir reflected a certain moral ambiguity during the… …   Guide to cinema

  • Film Noir —    If we accept David Thomson s veredicto that noir is something that happened to American cinema in the 1940s, it is easy to understand why the style could not catch on in Spain at the time. Noir reflected a certain moral ambiguity during the… …   Historical dictionary of Spanish cinema

  • List of Chinese directors — The following is a list of notable film directors from Mainland China. B*Bu Wancang (1903–1974)C*Joan Chen (born 1961), Chinese actress and director. *Chen Daming, actor turned director. *Chen Kaige (born 1952), major figure of the Fifth… …   Wikipedia

  • Beijing Film Academy — Infobox University name =Beijing Film Academy motto = established =1950 type =Film school, state chancellor = Professor Zhang Hui Jun vice chancellor = city =Haidian District, Beijing state = country =China students = staff = campus =Urban… …   Wikipedia

  • The Days (film) — For the Singaporean film of the same name, see The Days (Singaporean Film). The Days Directed by Wang Xiaoshuai Produced by Zhang …   Wikipedia

  • Farewell My Concubine (film) — This article is about the film; for other media with the same title, see Farewell My Concubine. Infobox Film name = Farewell My Concubine caption = Movie poster Cannes Film Festival director = Chen Kaige producer = Hsu Feng writer = Lilian Lee… …   Wikipedia

  • Action film — Some of the most well known old school action film heroes. From left: (top row) Sylvester Stallone, Arnold Schwarzenegger, Bruce Willis, Steven Segal (bottom row) Dolph Lundgren, Jean Claude Van Damme, Wesley Snipes, Jackie Chan Action film is a… …   Wikipedia

Share the article and excerpts

Direct link
Do a right-click on the link above
and select “Copy Link”